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dc.contributor.advisorBoberg, Ingrid
dc.contributor.advisorWilson, Amber
dc.contributor.authorMaheshwari, Rhea
dc.date.accessioned2021-09-27T04:04:30Z
dc.date.available2021-09-27T04:04:30Z
dc.date.copyright2021
dc.identifier.urihttp://hdl.handle.net/10292/14536
dc.description.abstractIn this project I use subjective storytelling to articulate my relationship with a field of expanded awareness, which is perceived through the accumulation of lived experience. I place this enquiry within the Hindu tradition of which I was born; and I deeply reflect on symbols of personal significance to make connections between personal events, past experiences and theoretical texts. This project utilises drawing tools, materials, processes, and strategies, all of which are described in depth in the exegesis. Transcendental ideas inform my drawing practice as I engage in a metaphysical mapping, where I co-create a drawing with speculative energy that sits both outside and within myself. My drawings emerge from literal guide-lines made from a particular combination of horizontal and vertical ruled pencil lines. Tools of Euclidean geometry drive the practice as I make moves and countermoves within this structural schema to achieve a sense of wholeness or balance within the paper substrate. An intuitive methodology aligned with gestalt design principles enables me to form complex relationships on paper, which emphasise that the whole of each drawing is greater than the sum of its parts.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectSpiritualityen_NZ
dc.subjectDrawingen_NZ
dc.subjectTranscendentalen_NZ
dc.subjectOrnamentationen_NZ
dc.subjectAuto-ethnographyen_NZ
dc.titleGeometric Abstraction and the Infiniteen_NZ
dc.typeThesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Visual Artsen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2021-09-27T00:55:41Z


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