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dc.contributor.authorPernecky, Ten_NZ
dc.date.accessioned2020-07-08T03:42:02Z
dc.date.available2020-07-08T03:42:02Z
dc.date.copyright2019-06-17en_NZ
dc.identifier.citationCritical Tourism Studies Proceedings: Vol. 2019 , Article 26. Available at: https://digitalcommons.library.tru.ca/cts-proceedings/vol2019/iss1/26
dc.identifier.urihttp://hdl.handle.net/10292/13512
dc.description.abstractVisual methods provide richer and deeper understandings of events phenomena through the use of visuals. Critical event studies, similar to critical tourism studies, draw on the critical school of thought to examine a host of methodological, conceptual, moral and ethical issues, as well as matters of equality, equity, justice, power, and representation. The malgamation of visual methods with critical approaches to the study of events signals the formation of a distinct research domain—articulated here as ‘critical event visualities’. The purpose of this talk to situate critical event visualities as part of the broader and ongoing efforts to advance critical events research. The paper will introduce novel methodological tools, such as the concept of ‘visual echoes of events’ to highlight the complexity and scope of visual inquiry in events.en_NZ
dc.publisherThompson Rivers University
dc.relation.urihttps://digitalcommons.library.tru.ca/cts-proceedings/vol2019/iss1/26en_NZ
dc.rightsThis Abstract is brought to you for free and open access by Digital Commons @ TRU Library. It has been accepted for inclusion in Critical Tourism Studies Proceedings by an authorized editor of Digital Commons @ TRU Library. For more information, please contact apaterson@tru.ca.
dc.titleCritical Event Visualitiesen_NZ
dc.typeConference Contribution
dc.rights.accessrightsOpenAccessen_NZ
pubs.elements-id382794
aut.relation.conferenceCritical Tourism Studies VIII Conferenceen_NZ


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