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dc.contributor.advisorJervis, Ian
dc.contributor.advisorAmundsen, Fiona
dc.contributor.authorMonks, Nicholas
dc.date.accessioned2019-01-29T02:20:35Z
dc.date.available2019-01-29T02:20:35Z
dc.date.copyright2019
dc.identifier.urihttp://hdl.handle.net/10292/12200
dc.description.abstractThis lens-based research project explores a deep personal connection with a familiar coastal site. I am interested in exploring the ways in which different lens-based media can facilitate a reciprocal exchange between the self and the land, a relationship. The overarching intention is to explore what might constitute an ecological-self emerging out of embodied lived experience. As such, this research project is underpinned by an ecological phenomenology that promotes embodied and affective sensitivity for the rhythms of the more-than-human world. The aim is to recognise the environment as a participatory agent in my practice, liberated from the colonising processes of rigid meaning that I might inadvertently be imposing upon the land.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectLandscapeen_NZ
dc.subjectPhotographyen_NZ
dc.subjectPhenomenologyen_NZ
dc.subjectEcologyen_NZ
dc.titleThe Ecological Self — A Lens-based Inquiryen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Visual Artsen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2019-01-28T10:15:36Z


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